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6 - Appendix
Getting in Sync
E-MU Digital Audio System 97
6 - Appendix
Getting in Sync
Whenever you connect external digital audio devices together, you need to be aware of how
they are synchronized to each other. Simply connecting digital out to digital in doesn’t
guarantee that two digital devices are synced, even if audio is being passed. Unless you have set
one to be the Master and the other a Slave, they are probably NOT synchronized and the
quality of your audio will suffer.
S/PDIF is probably the most common digital audio format. S/PDIF carries an embedded word
clock which can be used to synchronize the digital equipment. You must enable “External
Clock” on the slave device to have clock sync!
The diagrams below show two ways to synchronize an external A/D converter to the
E-MU Digital Audio System using the S/PDIF connection.
In the first example, the external A/D converter is the master clock for the system. Only one
S/PDIF cable is needed (optical or coaxial) as long as PatchMix is set to receive its word clock
signal from the external device. The external A/D is the Master and the E-MU DAS is the Slave.
In the second example a second S/PDIF cable is used to supply “embedded word clock”. The
external device MUST be set to receive external clock via S/PDIF or the units will not be
synchronized. The E-MU Digital Audio System is the Master and the external A/D is the Slave.
Set External Device to receive:
External S/PDIF Sync
S/PDIF Out
S/PDIF In
PatchMix DSP supplies Master Clock
(via S/PDIF)
Set PatchMix DSP to receive:
External S/PDIF Sync
S/PDIF Out
External Device supplies Master Clock
(via S/PDIF)
This S/PDIF cable carries an
embedded clock signal.
The S/PDIF cable carries two
channels of audio data and
an embedded clock.
This S/PDIF cable carries two
channels of audio data.
Master
Slave
Master
PatchMix DSP
Slave
External A-D Converter
External A-D Converter
or
S/PDIF
(Coax)
S/PDIF
(Optical)
In
Out
In
Out
PatchMix DSP
or
S/PDIF
(Coax)
S/PDIF
(Optical)
In
Out
In
Out
- Owner’s ManualOwner’s Manual 1
- E-MU 0404 PCIe 2
- Digital Audio System 2
- Table of Contents 3
- 4 E-MU Digital Audio System 4
- Creative Professional 5 5
- 6 E-MU Digital Audio System 6
- 1- Introduction 7
- Notes, Tips and Warnings 8
- 8 Creative Professional 8
- 2 - Installation 9
- Connector Types 10
- PCI Slots 11
- PCIe x16 11
- Software Installation 12
- The E-MU 0404 PCIe Card 13
- Analog Input Connections 14
- Using MIDI Thru 15
- 16 Creative Professional 16
- 4 - The PatchMix DSP Mixer 17
- Mixer Window 18
- Mixer Block Diagram 18
- The Toolbar 19
- The Session 20
- Open Session 21
- Save Session 21
- Session Settings 22
- I/O Settings 23
- Input Mixer Strips 24
- Mixer Strip Creation 25
- Multichannel WAVE Files 26
- Insert Section 27
- From Left Input 28
- Recording 28
- Application 28
- Recording Playback 29
- Meter Inserts 30
- Consumer 31
- Professional 31
- 32 Creative Professional 32
- Trim Pot Insert 33
- Managing Your Inserts 34
- Aux Section 35
- Main / Monitor Bus 36
- Main Section 38
- TV Screen & Selectors 39
- The Input and Output 40
- Tip: Clicking on any 40
- Sync/Sample Rate Indicators 41
- Output Section 42
- 5 - Effects 43
- FX Insert Chains 44
- The Order of Effects 45
- FX Edit Screen 47
- User Preset Section 48
- List of Core Effects 50
- 1-Band Para EQ 51
- 1-Band Shelf EQ 51
- Frequency 52
- Low Shelf Mid Band High Shel 52
- Frequenc 53
- Mid 2-Band 53
- Auto-Wah Filter 54
- Basic Controls 55
- Core Effects Descriptions 56
- 56 Creative Professional 56
- Parameter Description 56
- Distortion 57
- Signal path = Stereo 57
- Freq Shifter 58
- Leveling Amp 59
- Lite Reverb 60
- E-MU Digital Audio System 61 61
- Phase Shifter 62
- Speaker Simulator 63
- 64 Creative Professional 64
- Stereo Reverb 65
- Early Reflections 65
- Late Reverb 65
- Vocal Morpher 66
- Applications 67
- Parameters 68
- Reshaper 69
- Original 70
- Waveform 70
- Reshaped 70
- E-MU Digital Audio System 71 71
- Multimode EQ 72
- Highpass 73
- Highpass -> Lowpass 74
- Highpass 74
- Band Pass 75
- Band Cut 75
- RFX Compressor 76
- Advanced Parameters 78
- Soft Knee 78
- Comp Lookahead/Delay 80
- Uncompressed Waveform 81
- Program-Dependent Release 81
- Max Compression 82
- Neg Compression 82
- Creating a Ducker 83
- Example Settings 84
- E-MU Digital Audio System 85 85
- Creating a De-esser 86
- E-MU PowerFX 87
- (if needed) 88
- Automating E-MU PowerFX 89
- E-MU Digital Audio System 91 91
- E-MU VST E-Wire 92
- E-Delay Compensator 93
- Cubase VST or Cubasis 94
- PatchMix 94
- E-Delay Units Parameter 95
- Grouping Tracks 95
- 96 Creative Professional 96
- 6 - Appendix 97
- Useful Information 98
- Technical Specifications 99
- Dimensions & Weight 100
- Internet References 101
- 6 - Appendix 102
- 102 Creative Professional 102
- Numerics 103
- E-MU Digital Audio System 103 103
- 104 Creative Professional 104
- E-MU Digital Audio System 105 105
- 106 Creative Professional 106
- E-MU Digital Audio System 107 107
- 108 Creative Professional 108
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