Creative 0404 PCIe Manuel du propriétaire Page 57
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5 - Effects
Core Effects Descriptions
E-MU Digital Audio System 57
Distortion
Most audio processors aim to provide low distortion, but not this one! The sole purpose of this
effect is to add distortion, and lots of it. This effect provides “fuzz box” style, clipping
distortion which is particularly effective on guitar, bass, organs, electric pianos or whatever.
The input signal first passes through a lowpass filter. The Lowpass Filter Cutoff Frequency
allows you to control the number of new harmonics that will be generated by the distortion
element. The distortion element has an Edge control which controls “how much” distortion
will be added. A bandpass filter follows the distortion generator. The EQ Center control lets
you select a particular band of frequencies to be output. The EQ Bandwidth controls the width
of the center frequency band. Finally, a gain control allows you to make up for any gain loss
through the effect.
Use the Wet/Dry mix control in conjunction with the Edge control to reduce the amount of
distortion, or go crazy and turn everything to 11!
Flanger
A flanger is a very short delay line whose output is mixed back together with the original
sound. Mixing the original and delayed signals results in multiple frequency cancellations
known as a comb filter. Since the flanger is a type of filter, it works best with harmonically rich
sounds.
Pre-Delay Allows the use of slower attack times without missing signal peaks.
Range: 0ms to 3 ms
Input Meter Allows you to monitor the strength of the input signal.
Gain Reduction
Meter
Shows the amount of gain reduction being applied.
Parameter Description
Pre EQ LP Cutoff Controls the amount of high frequency audio admitted to
the distortion. Range: 80Hz to 24kHz
Edge Sets the amount of distortion and new harmonics
generated. Range: 0-100
Gain Sets the output volume of the effect. Range: -60dB to 0dB
Post EQ Center Freq. Sets the frequency of the output bandpass filter.
Range: 80Hz to 24kHz
Post EQ Bandwidth Sets the width of the output bandpass filter.
Range: 80Hz to 24kHz
Parameter Description
In
Edge
Lowpass
Filter
Bandpass
Filter
EQ Center
LP Filter
Cutoff
GainEQ BW
Ou
t
Distortion
Signal path = Stereo
- Owner’s ManualOwner’s Manual 1
- E-MU 0404 PCIe 2
- Digital Audio System 2
- Table of Contents 3
- 4 E-MU Digital Audio System 4
- Creative Professional 5 5
- 6 E-MU Digital Audio System 6
- 1- Introduction 7
- Notes, Tips and Warnings 8
- 8 Creative Professional 8
- 2 - Installation 9
- Connector Types 10
- PCI Slots 11
- PCIe x16 11
- Software Installation 12
- The E-MU 0404 PCIe Card 13
- Analog Input Connections 14
- Using MIDI Thru 15
- 16 Creative Professional 16
- 4 - The PatchMix DSP Mixer 17
- Mixer Window 18
- Mixer Block Diagram 18
- The Toolbar 19
- The Session 20
- Open Session 21
- Save Session 21
- Session Settings 22
- I/O Settings 23
- Input Mixer Strips 24
- Mixer Strip Creation 25
- Multichannel WAVE Files 26
- Insert Section 27
- From Left Input 28
- Recording 28
- Application 28
- Recording Playback 29
- Meter Inserts 30
- Consumer 31
- Professional 31
- 32 Creative Professional 32
- Trim Pot Insert 33
- Managing Your Inserts 34
- Aux Section 35
- Main / Monitor Bus 36
- Main Section 38
- TV Screen & Selectors 39
- The Input and Output 40
- Tip: Clicking on any 40
- Sync/Sample Rate Indicators 41
- Output Section 42
- 5 - Effects 43
- FX Insert Chains 44
- The Order of Effects 45
- FX Edit Screen 47
- User Preset Section 48
- List of Core Effects 50
- 1-Band Para EQ 51
- 1-Band Shelf EQ 51
- Frequency 52
- Low Shelf Mid Band High Shel 52
- Frequenc 53
- Mid 2-Band 53
- Auto-Wah Filter 54
- Basic Controls 55
- Core Effects Descriptions 56
- 56 Creative Professional 56
- Parameter Description 56
- Distortion 57
- Signal path = Stereo 57
- Freq Shifter 58
- Leveling Amp 59
- Lite Reverb 60
- E-MU Digital Audio System 61 61
- Phase Shifter 62
- Speaker Simulator 63
- 64 Creative Professional 64
- Stereo Reverb 65
- Early Reflections 65
- Late Reverb 65
- Vocal Morpher 66
- Applications 67
- Parameters 68
- Reshaper 69
- Original 70
- Waveform 70
- Reshaped 70
- E-MU Digital Audio System 71 71
- Multimode EQ 72
- Highpass 73
- Highpass -> Lowpass 74
- Highpass 74
- Band Pass 75
- Band Cut 75
- RFX Compressor 76
- Advanced Parameters 78
- Soft Knee 78
- Comp Lookahead/Delay 80
- Uncompressed Waveform 81
- Program-Dependent Release 81
- Max Compression 82
- Neg Compression 82
- Creating a Ducker 83
- Example Settings 84
- E-MU Digital Audio System 85 85
- Creating a De-esser 86
- E-MU PowerFX 87
- (if needed) 88
- Automating E-MU PowerFX 89
- E-MU Digital Audio System 91 91
- E-MU VST E-Wire 92
- E-Delay Compensator 93
- Cubase VST or Cubasis 94
- PatchMix 94
- E-Delay Units Parameter 95
- Grouping Tracks 95
- 96 Creative Professional 96
- 6 - Appendix 97
- Useful Information 98
- Technical Specifications 99
- Dimensions & Weight 100
- Internet References 101
- 6 - Appendix 102
- 102 Creative Professional 102
- Numerics 103
- E-MU Digital Audio System 103 103
- 104 Creative Professional 104
- E-MU Digital Audio System 105 105
- 106 Creative Professional 106
- E-MU Digital Audio System 107 107
- 108 Creative Professional 108
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