Creative 0404 PCIe Manuel du propriétaire Page 68

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5 - Effects
Core Effects Descriptions
68 Creative Professional
Parameters
Threshold
When the input signal rises above the level set by the Threshold parameter, the Gate is
triggered to turn on and go from its maximum gain reduction level up to 0dB gain. The turn-
on threshold is adjustable anywhere between -70dB and 0dB (below the PatchMix nominal
operating point of -12dBFS.)
One of the keys to the smooth operation of the Gate is that the input Threshold level that turns
on the Gate is always higher than the level that shuts off the gate. This means that the input
signal level must descend substantially below the Threshold in order to turn off again.
This difference between turn-on and shut-off levels, or the hysteresis, is 10dB. That means that
if the Threshold is -30dB, the signal level must fall to -40dB before the Gate will begin to shut
off.
Release Time
This parameter controls the time, in milliseconds, that is required for the Gate to shut off. More
specifically, this is the time that will be required for the Gate control signal to go from unity
gain at 0dB down to the Max Gain Reduction level.
The optimum value for the Release time is dependent on the program material as well as the
effect you're trying to achieve. Optimum Release time is also highly dependent upon the
settings of the Threshold and Max Gain Reduction parameters.
In general, times less than about 10 msec are prone to cause clicks in the output, while times
longer than 30 msec may make the gating effect obvious if the background signal being gated
out is very noisy.
Max Gain Reduction
This parameter sets the attenuation that will be applied to the signal when the Gate is shut off.
The Gate control signal will swing between 0dB and this value as the Gate turns on and shuts
off.
To perform a strict “gating” operation, Max Gain Reduction would normally be set to -infinity
in order to completely silence the output of the Gate.
However, there are good reasons to set Max Gain Reduction to something less drastic than
infinite attenuation. Sometimes the silence between gated signals is “too quiet” - especially
when the signal represents a solo vocal or instrument, where the complete lack of any sound
between voiced segments sounds unnatural. For these applications, setting Max Gain
Reduction somewhere between -20dB and -40dB is more appropriate.
In tandem with a high Threshold, Max Gain Reduction can also be set to very modest values
like -5 or -10dB in order to add a subtle “punch” enhancement to transients. This has an effect
similar to an expander, where the attack transients which exceed the Threshold stand out by 5
or 10dB above the normal signal (you can make up for that 5 or 10dB attenuation by using a
trim pot or boosting the channel strip gain after the Gate.)
Lookahead
By default, the Gate effect uses a fixed 1 millisecond lookahead to avoid clipping off the leading
edge of signal transients when the Gate turns on. However, this is actually implemented by
adding a 1 millisecond delay to the signal through the gate. For applications where this
additional 1 millisecond latency is a problem, the Lookahead can be turned Off.
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