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5 - Effects
Core Effects Descriptions
E-MU Digital Audio System 65
Stereo Reverb
Reverberation is a simulation of a natural space such as a room or hall. The stereo reverb
algorithm is designed to simulate various halls, rooms and reverberation plates.
Decay time defines the time it takes for the reflected sound from the room to decay or die away.
The diagram below shows a generalized reverberation envelope.
After a short pre-delay period, the echoes from the closest walls or ceiling are heard. These first
echoes, or early reflections, vary greatly depending on the type of room. Some time after the
early reflection cluster ends (late reverb delay), the late reverberation (a dense cloud of
complex wall reflections) begins and decays according to the time set by the Decay Time
parameter.
Diffusion is the amount of scattering and density of the late reverberation cloud. Rooms with
many complex surfaces have more diffusion than bare rooms.
High frequency energy tends to fade away first as a sound is dissipated in a room. The High
Frequency Damping parameter adjusts the time it takes for the high frequency energy to die
away and thus changes the characteristics of the room. Rooms with smooth, hard surfaces are
more reflective and have less high frequency damping. Rooms filled with sound absorbing
materials, such as curtains or people, have more high frequency damping.
The Low Frequency Damping parameter adjusts the time it takes for the low frequencies to die
away. This control adjusts the “boominess” of the room.
Parameter Description
Decay Time Sets the length of the Late Reverb. Range 1.5 to 30seconds
Early Reflections Level Sets the volume of the initial wall reflections.
Range: 0% to 100%
Early/Late Reverb Bal Adjusts the balance between early refections and late reverb.
Range: 0% to 100%
Late Reverb Delay Sets the time between early reflections and the onset of the late
reverb cloud. Range: 1ms to 350ms
Diffusion Sets the amount of scattering of the late reverb cloud.
Range: 0% to 100%
High Freq. Damping Sets the rate at which high frequencies die away.
Range: -10.0 to +3.0 damping factor
Low Freq. Damping Sets the rate at which low frequencies die away.
Range: -10.0 to +3.0 damping factor
Time
Early Reflections
Late Reverb
- Owner’s ManualOwner’s Manual 1
- E-MU 0404 PCIe 2
- Digital Audio System 2
- Table of Contents 3
- 4 E-MU Digital Audio System 4
- Creative Professional 5 5
- 6 E-MU Digital Audio System 6
- 1- Introduction 7
- Notes, Tips and Warnings 8
- 8 Creative Professional 8
- 2 - Installation 9
- Connector Types 10
- PCI Slots 11
- PCIe x16 11
- Software Installation 12
- The E-MU 0404 PCIe Card 13
- Analog Input Connections 14
- Using MIDI Thru 15
- 16 Creative Professional 16
- 4 - The PatchMix DSP Mixer 17
- Mixer Window 18
- Mixer Block Diagram 18
- The Toolbar 19
- The Session 20
- Open Session 21
- Save Session 21
- Session Settings 22
- I/O Settings 23
- Input Mixer Strips 24
- Mixer Strip Creation 25
- Multichannel WAVE Files 26
- Insert Section 27
- From Left Input 28
- Recording 28
- Application 28
- Recording Playback 29
- Meter Inserts 30
- Consumer 31
- Professional 31
- 32 Creative Professional 32
- Trim Pot Insert 33
- Managing Your Inserts 34
- Aux Section 35
- Main / Monitor Bus 36
- Main Section 38
- TV Screen & Selectors 39
- The Input and Output 40
- Tip: Clicking on any 40
- Sync/Sample Rate Indicators 41
- Output Section 42
- 5 - Effects 43
- FX Insert Chains 44
- The Order of Effects 45
- FX Edit Screen 47
- User Preset Section 48
- List of Core Effects 50
- 1-Band Para EQ 51
- 1-Band Shelf EQ 51
- Frequency 52
- Low Shelf Mid Band High Shel 52
- Frequenc 53
- Mid 2-Band 53
- Auto-Wah Filter 54
- Basic Controls 55
- Core Effects Descriptions 56
- 56 Creative Professional 56
- Parameter Description 56
- Distortion 57
- Signal path = Stereo 57
- Freq Shifter 58
- Leveling Amp 59
- Lite Reverb 60
- E-MU Digital Audio System 61 61
- Phase Shifter 62
- Speaker Simulator 63
- 64 Creative Professional 64
- Stereo Reverb 65
- Early Reflections 65
- Late Reverb 65
- Vocal Morpher 66
- Applications 67
- Parameters 68
- Reshaper 69
- Original 70
- Waveform 70
- Reshaped 70
- E-MU Digital Audio System 71 71
- Multimode EQ 72
- Highpass 73
- Highpass -> Lowpass 74
- Highpass 74
- Band Pass 75
- Band Cut 75
- RFX Compressor 76
- Advanced Parameters 78
- Soft Knee 78
- Comp Lookahead/Delay 80
- Uncompressed Waveform 81
- Program-Dependent Release 81
- Max Compression 82
- Neg Compression 82
- Creating a Ducker 83
- Example Settings 84
- E-MU Digital Audio System 85 85
- Creating a De-esser 86
- E-MU PowerFX 87
- (if needed) 88
- Automating E-MU PowerFX 89
- E-MU Digital Audio System 91 91
- E-MU VST E-Wire 92
- E-Delay Compensator 93
- Cubase VST or Cubasis 94
- PatchMix 94
- E-Delay Units Parameter 95
- Grouping Tracks 95
- 96 Creative Professional 96
- 6 - Appendix 97
- Useful Information 98
- Technical Specifications 99
- Dimensions & Weight 100
- Internet References 101
- 6 - Appendix 102
- 102 Creative Professional 102
- Numerics 103
- E-MU Digital Audio System 103 103
- 104 Creative Professional 104
- E-MU Digital Audio System 105 105
- 106 Creative Professional 106
- E-MU Digital Audio System 107 107
- 108 Creative Professional 108
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