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4 - The PatchMix DSP Mixer
The Session
20 Creative Professional
The Session
The current state of the PatchMix DSP mixer (fader settings, effects routings…everything!) can
be saved as a Session. Whenever you create or modify a mixer setup, all you have to do is Save
it to be able to recall it at a later time.
Before you begin using PatchMix DSP, you need to set it up to be compatible with the other
software applications you may be running. The most important consideration is your system
sample rate. PatchMix DSP and any applications or other digital gear you are using must
be set to the same sample rate. PatchMix DSP can run at 44.1kHz, 48kHz, 88.2kHz, 96kHz,
176.4 kHz or 192kHz sample rates, but the effect processors are only available at the 44.1kHz
or 48kHz rates.
When you start a new PatchMix DSP Session, the first choice you make is to select the sample
rate. Once set, you can only easily switch between 44.1kHz and 48kHz. You cannot switch
between 44/48kHz and 88k/96k/176k/192k. With a change to these higher sample rates,
you must start a new session.
Important: When
using any form of digital
input, you MUST
synchronize the Digital
Audio System to the
external digital device.
See Using External Clock
You can also set up an external sync source, thereby obtaining the sample rate from some other
device or application. External sync can be obtained from the S/PDIF input. If the session is set
at 44.1kHz or 48kHz and the external source is coming in at 96kHz, the Sync Indicator will be
extinguished (off), but PatchMix will attempt to receive the external data. if the Sync Indicator
is Off, the two units are NOT sample locked and you should correct this condition to avoid
intermittent clicks in the audio. Always check for the presence of the “LOCKED” indicator
whenever you are using a digital interface.
PatchMix DSP comes with several session templates to choose from so when you create a new
session you can either create a “blank” session based around a designated sample rate, or select
from a list of template starting points.
In a PatchMix DSP session the number of strips in the mixer is dynamically configurable. See
Pre Fader or Post Fader. This allows you to create only those strips you need up to a maximum
number determined by available DSP resources and available inputs.
New Session
You create a new session by clicking the “New Session” button in the PatchMix DSP main
Toolbar. The following dialog box appears.
Select a Template or new
Session at the desired
sample rate
Session Description
Add your own comment
or note about the Session
Check this if you want to
edit the New Session.
- Owner’s ManualOwner’s Manual 1
- E-MU 0404 PCIe 2
- Digital Audio System 2
- Table of Contents 3
- 4 E-MU Digital Audio System 4
- Creative Professional 5 5
- 6 E-MU Digital Audio System 6
- 1- Introduction 7
- Notes, Tips and Warnings 8
- 8 Creative Professional 8
- 2 - Installation 9
- Connector Types 10
- PCI Slots 11
- PCIe x16 11
- Software Installation 12
- The E-MU 0404 PCIe Card 13
- Analog Input Connections 14
- Using MIDI Thru 15
- 16 Creative Professional 16
- 4 - The PatchMix DSP Mixer 17
- Mixer Window 18
- Mixer Block Diagram 18
- The Toolbar 19
- The Session 20
- Open Session 21
- Save Session 21
- Session Settings 22
- I/O Settings 23
- Input Mixer Strips 24
- Mixer Strip Creation 25
- Multichannel WAVE Files 26
- Insert Section 27
- From Left Input 28
- Recording 28
- Application 28
- Recording Playback 29
- Meter Inserts 30
- Consumer 31
- Professional 31
- 32 Creative Professional 32
- Trim Pot Insert 33
- Managing Your Inserts 34
- Aux Section 35
- Main / Monitor Bus 36
- Main Section 38
- TV Screen & Selectors 39
- The Input and Output 40
- Tip: Clicking on any 40
- Sync/Sample Rate Indicators 41
- Output Section 42
- 5 - Effects 43
- FX Insert Chains 44
- The Order of Effects 45
- FX Edit Screen 47
- User Preset Section 48
- List of Core Effects 50
- 1-Band Para EQ 51
- 1-Band Shelf EQ 51
- Frequency 52
- Low Shelf Mid Band High Shel 52
- Frequenc 53
- Mid 2-Band 53
- Auto-Wah Filter 54
- Basic Controls 55
- Core Effects Descriptions 56
- 56 Creative Professional 56
- Parameter Description 56
- Distortion 57
- Signal path = Stereo 57
- Freq Shifter 58
- Leveling Amp 59
- Lite Reverb 60
- E-MU Digital Audio System 61 61
- Phase Shifter 62
- Speaker Simulator 63
- 64 Creative Professional 64
- Stereo Reverb 65
- Early Reflections 65
- Late Reverb 65
- Vocal Morpher 66
- Applications 67
- Parameters 68
- Reshaper 69
- Original 70
- Waveform 70
- Reshaped 70
- E-MU Digital Audio System 71 71
- Multimode EQ 72
- Highpass 73
- Highpass -> Lowpass 74
- Highpass 74
- Band Pass 75
- Band Cut 75
- RFX Compressor 76
- Advanced Parameters 78
- Soft Knee 78
- Comp Lookahead/Delay 80
- Uncompressed Waveform 81
- Program-Dependent Release 81
- Max Compression 82
- Neg Compression 82
- Creating a Ducker 83
- Example Settings 84
- E-MU Digital Audio System 85 85
- Creating a De-esser 86
- E-MU PowerFX 87
- (if needed) 88
- Automating E-MU PowerFX 89
- E-MU Digital Audio System 91 91
- E-MU VST E-Wire 92
- E-Delay Compensator 93
- Cubase VST or Cubasis 94
- PatchMix 94
- E-Delay Units Parameter 95
- Grouping Tracks 95
- 96 Creative Professional 96
- 6 - Appendix 97
- Useful Information 98
- Technical Specifications 99
- Dimensions & Weight 100
- Internet References 101
- 6 - Appendix 102
- 102 Creative Professional 102
- Numerics 103
- E-MU Digital Audio System 103 103
- 104 Creative Professional 104
- E-MU Digital Audio System 105 105
- 106 Creative Professional 106
- E-MU Digital Audio System 107 107
- 108 Creative Professional 108
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